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  SPECIFICATION
PERFORMANCE PRACTICE AND PROCESS: CONTEMPORARY [WOMEN] PRACTITIONERS (pb)2008
Author: ASTON
ISBN: 0230001558
Year: 2008
Publisher: PALGRAVE PUBLISHERS LTD
Category: MUSIC /FILM/ TV/ DRAMA
Edition: 1
Format: Paperback
Language: English
Pages: 194
 ABOUT THE TITLE
Drawing on hands-on experience from workshops and interviews this innovative book explores the work of eight gender aware theatre and performance artists and companies. The authors offer rare insights into the processes as well as the practice of these artists and employ an inside practical approach to understanding their ground-breaking and politically radical theatre and performance work.
Covering performance art live art performance poetry playwriting performance storytelling radio drama stand up comedy and site specific performance Aston and Harris combine critical analysis with practical detail that offers inspiration to those studying and making innovative and or politically resistant performance making.
Supported by a website with examples of relevant process and practice (images film footage creative writing) this will be an essential resource for students of Theatre and Performance Women s Studies and Gender studies.
AUTHOR:
ELAINE ASTON is Professor of Contemporary Performance at Lancaster University UK where she teaches and researches feminist theatre theory and performance. Her publications include An Introduction to Feminism and Theatre (1994); Caryl Churchill (1997/ 2001); Feminist Theatre Practice (1999) and Feminist Views on the English Stage (2003). She is co-editor of The Cambridge Companion to Modern British Women Playwrights (with Janelle Reinelt 2000); Feminist Futures?: Theatre Performance Theory (with Geraldine Harris 2006) and Staging International Feminisms (with Sue-Ellen Case 2007)
AUTHOR:
GERALDINE HARRIS is Professor of Theatre Studies at Lancaster University UK where she teaches and researches on gender and identity in performance. Previous publications include Staging Femininities (1999) and Beyond Representation: The Politics and Aesthetics of Television Drama (2006). With Elaine Aston she has co-edited Feminist Futures: Theatre Performance Theory (2006). Since the 1980s she has engaged with the practice of devising and wth writing texts for performance both with students and with professional companies such as Insomniac and Third Angel.
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 TABLE OF CONTENTS
List of Illustrations
Acknowledgements
1. Performance Practice and Process: Contemporary (Women) Practitioners
2. A Passionate Desire to Communicate: Bobby Baker
3. Being Curious: Leslie Hill and Helen Paris
4. Speaking Out: SuAndi
5. Women Writing for Radio: Sarah Daniels with Sally Avens
6. Imagining, making, changing: Split Britches
7. Giving Voice(s) to Others: Rebecca Prichard
8. Performance Storytelling: Vayu Naidu
9. Lessons in Bad Behaviour: Jenny Eclair
10. After the Event
Index
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